The Cat’s Ass Trophy

“Help! I can’t move my legs!”

Taken out of context, I can understand how that plea might trigger thoughts of collapsed mines, bombed out apartment buildings, avalanches or any number of natural and man… er, human made catastrophes. You could add car crashes to the list, strokes, falls off ladders, the tally goes on.

That’s not what I intended, though, lounging in one of the blue plastic Cape Cod chairs out on our back deck, watching the progress of another home run for God arcing through the infinity of blue sky over Mount Brenton.

“You weren’t thinking at all!” was how Ashley put it. “You scared the crap out of me!”

Actually, I’d been thinking about a lot of things, before Plato came along and jumped onto my lap. Good thoughts, mostly, about how lucky I am to be living my retirement era in Chemainus. As suburbs go, Cook street rates pretty good. It’s got a crime rate that flat lines somewhere near zero, there’s not a single traffic light in town, strangers wave and say hello on the street and in the aisles of the Country Grocer store, and it’s located in the mild temperate zone of Southeast Vancouver Island—accurately fabled as a bit of paradise afloat on the Salish Sea.

There’s some irredeemably grouchy types who grumble in their coffee mugs down at Nic’s Café that the best thing about Muraltown is it’s within easy driving distance of Nanaimo in one direction, Victoria in the other. I say to them: If you can afford a patch of turf in either of those two places bigger than a dish cloth, go for it. I’m happy where I am.

I was especially happy to be out on the back deck that day.

Not that I don’t like company. I do. And I really like Serena, even if she is smarter than me and can’t help delving excitedly into the details about her research into ‘mitochondrial DNA and the role it plays in aging and degenerative diseases’. She’s ‘good people’, our niece. And my wife’s good people too. But put them in the same room, and you might as well stick your head inside a beehive, the way they natter. A quiet guy like me can’t get a word—or even a thought—in edgewise.

That’s why I retreated out onto the back deck. Once they’d talked their ways through the agony of childbirth, how to get your lemon poppyseed muffins out of the tray, the best deals to be had at the hospital auxiliary thrift shop, and so on, I decided it was time to take out the recycling and stop off on the way back for a snooze in the waning light of a balmy spring afternoon, while they continued with the task of sorting through the family photo albums.

“Oh look, there’s you uncle Martin, fifty pound lighter, with hair and no wrinkles!” “Aw! There’s Panda. Remember the time he ate your socks and we had to watch like expectant parents for him to poop them out.” “Auntie Ash, you were such a hippie. I love that dress, and the army boots are ever so chic! Ha, ha, ha!” “The Half-Lemon! Oh My God, we actually drove around in a yellow VW beetle? Look at the price of gas… 48 cents a gallon! Christ, they don’t even mint pennies anymore, and gas is measured out by the litre.”

Even though I was happy for them, I have to admit to being pinpricked by envy, watching Ash and Serena babble on like partners at a quilting bee. I’m not a feminist or anything, but I was thinking, if more men could get themselves into that head space, there’d be fewer Putins in the world, and the people of Ukraine might not be suffering through a senseless armageddon, watching their cities getting pummelled into dust like 21st Century Sodoms and Gomorrahs. I’m ashamed of my male gender sometimes. Wish I could have a bit less Y in my jeans and a bit more ‘Why?’ in my brain.

We have strange thoughts in that fantastical zone between awake and asleep. There I was, reclining in the Cape Cod chair out on the back deck, the brilliant sunshine lighting up the inside of my eyelids like lava lamps when, plop, Plato landed on my lap.

Cat’s paws are the closest thing I can imagine to an angel alighting… until they begin kneading that is, their claws tugging at your clothing and pricking your skin. Plato circled round for a couple of laps, like he was tamping down the grass under a tree on his vast savanna, then settled in and started purring. I sat perfectly still, trying to make my bony thighs soft as down filled cushions. The rumble of his contentment echoed through me. You have to feel a cat’s purr to really appreciate it, let it permeate consciousness.

Please understand, Plato is not a lap cat. He’s aloof, a strutter through our lives, more likely to show you the pink petunia when you make a move to pat him than to rub up against your leg. Usually he stumps off like you’re beneath his dignity. Ash and I are lap-cat-people, though, yearning for that mystical connection between cat’s fur and human skin, and that reassuring deep vibrato of feline contentment. He was deigning to settle onto my lap for a snooze that afternoon. But lap time with Plato? It’s like cuddling a land mine. Don’t touch, don’t move, don’t even breathe, or he’ll be off.

Ash and I share the joys of those moments as if we’d experienced a second coming. I often wonder what it is we’re missing in our lives, that we hanker so desperately after our cat’s erratic affection? We have each other, isn’t that enough? Our death-defying circle of friends? Our kids, brothers, sisters, nephews, nieces, our dog Sophie, neighbours who wave hello wherever we go in Muraltown? Isn’t that enough?

Not unless Plato loves us back, I guess.

How could I be so selfish as to not share that glorious interlude with Ash? So, risking all, I slipped my fingers like a bomb disposal expert into the hip pocket of my ever tightening jeans, pinched the top of my mobile and slid it ever so gingerly out from under Plato. He was still purring when the phone came to life and I pointed it at him in camera mode. His enlarged rump filled the bottom of my frame; my hiking boots—propped on the deck table—the top.

‘Click’ went the camera. Plato purred on. I dared not breathe a sigh of relief.

Kids can thumb in a text quicker than ‘u or i’ can let go a fart. I punched my mobile’s runes the same way you’d poke at an elevator button, my pudgy index finger hitting the wrong key half the time, so that I’d have to go back and try again, and again, hissing like a kettle too long on the hob. But eventually I got the message into the allotted space beneath the distorted image of Plato on my lap, then zip, off it went.

‘Help! I can’t move my legs!’ it said.

Panic is instantaneous contagion. It zaps the collective consciousness of a room like the sudden glare of a flood light. It’s another sort of bomb, its shockwaves radiating out into the neural network, forcing adrenaline to squirt like juice from a squeeze bottle into the guts of its infected tribe. On the one hand, panic gets us moving before the bus runs us over; on the other, it doesn’t give us time to think. The autonomic nervous system kicks in and we get jerked around like puppets. If we’re lucky enough to survive, we analyze ‘the event’ after the fact, picking apart the threads of mayhem.

My theory is we’re predisposed to panic. The Doomsday Clock is always ticking closer and closer to midnight, shaving off half the remaining time, then half again, until the calculus of destruction tells us there’s nothing, no measurable allotment of milliseconds left between us and…

Duck, cover and hold! We don’t want to hear that bomb go off!

Ash, for example, is predisposed by images of me snacking on potato chips and sneaking chocolate bars, munching toward the imminent possibility of a heart attack; she has witnessed my shuffle-footed stumbling often enough to anticipate my tumbling down any convenient flight of stairs; tick, tick, tick, the clock keeps blinking, until…

‘Bing!’ The text message slid into the corner of her screen, minus the cute, explanatory photo of Plato snuggled in my lap. It shouted: “Help! I can’t move my legs!”

So there I sat, swaddled in the joy of Plato’s fidgety affection, while Ash and Serena dashed about the house looking for the corner I had collapsed into, or the staircase I’d toppled down, expecting to find me dead, my finger still touching the screen after I’d shot off my desperate expiring plea for assistance…

“You scared the crap out of me!” Ash shouted without preamble once they’d zeroed in on the back deck. She slapped me on the shoulder hard enough to bruise, maybe even trigger some kind of cardiac event. “Serena was about to dial 911!”

“It was an accident!” I protested. “There was supposed to be a picture…”

“You’re the accident,” she shook her head. Case closed; sentencing to be announced over dinner and executed over some indeterminate length of future time.

Thoroughly harangued, I was left standing on the deck by my two saviours, who marched back into the house through the sliding door, shaking their heads, words like ‘inconsiderate’ and ‘stupid’ reverberating in their wake. I turned round, and looked wistfully at Plato, inscrutable as ever, purring away on the Cape Cod chair.

“You little shit,” I said. “I really do love you.”

~ The End ~

Reconnecting to the land

Paddling with my good friend Craig Harris yesterday down the western shore of Penelakut Island, I was haunted by an inkling of what it must have been like for a First Nations inhabitant, gliding through the same waters before the colonial era.

Much as I am enthralled by nature, I realized that I am but a tourist on the region’s land and sea; I can only imagine the deeper connection of a hunter-gatherer society, whose people ‘lived off the land’ and whose spiritual awareness was as deeply rooted and binding as that of the surrounding forests.

Before going any farther, an explanatory note: I am a Canadian of European ancestry. The influences that define me have been shaped and interpreted in that context and from that perspective. I do not want to be anything or anyone else. I do want to accept the challenges European social, scientific, and economic development and innovation have led to. The late-20th and 21st centuries have been a necessary time of reckoning. We either take responsibility for creating a better, more inclusive, more sustainable world, or accept the consequences and blame for our selfish, shortsighted decisions and behaviour.

It was from that perspective that I asked: What knowledge could we have gained from the indigenous peoples of North America and the world if only we had restrained our colonial incursions and taken time to learn from them what we had unlearned through centuries of abstracting technological and cultural development that had distanced us from the ‘natural world’?

That haunting question leapfrogged me into the present day, and a more timely consideration. What might we learn through the process of Truth and Reconciliation, as we honour the survivors of our colonial depredations and build a new relationship with them? That we are attempting such a feat makes me hopeful; if we can actually succeed, I will be truly proud as a Canadian of European ancestry.

My favourite gate

Just past Chemainus Farms, heading up River Road toward Highway 1, there’s a gate that always intrigues me. It seems as much an invitation as a prohibition, because it’s centred at the entrance to a green, but has no surrounding fence to prevent curious wanderers and wonderers from simply stepping round it and carrying on. Is it meant to keep people in or out? Is it a remnant from a bygone time when livestock had to be penned in? Does it serve a present purpose—other than to excite speculative imaginings? What’s its story?

Morning Glory

This video includes images of genocides
It’s the dawn
Of a new day
In an old era
In the same old way.

It’s the cycle renewed
Again and again without end
A ceaseless iteration
Of nation against nation
Of despair strangling hope
Shoots of hatred
Tendrils of fear
A choking underbrush
Infesting our gardens of Eden

Who was it said
We must kill, and kill, and kill
Until all are dead
Who would become invasive species?
Whose god roared that battle cry
Under the glaring sun
Denying even the possibility
of innocence
Declaring even the unborn
‘Enemies of our state’
Infected with murderous intent?
Vermin only fit to hate?

Bloodlines.
Worm like veins
Through our sacred soils
Rooting the detritus
That defines us.
Ancient scrolls
And chiseled texts
Implacable as tombstones.

Craig Spence,
August 18, 2024

Off Leash Zone

OFF LEASH ZONE

Lead on! Lead on!
my old, best friend,
beyond the very end
of this leash we both
are tethered to.

Lead on! Lead on!
Even though we do not know,
and dare not say,
exactly where we’re going…
Even though there is no point
within the compass of our ancient souls
to suggest one way or another—
no brilliant star, no station of the sun
for us to fix upon.
Whichever way we face,
that becomes the direction of our knowing.

And yet you pant, and strain,
and snuffle, and sniff,
as if there were some secret
(just around the bend
or crouching under some bush)
that makes sense of it all.

Lead on! Lead on!
Beyond the very edge
of this—our flattened earth—
and be assured, for what it’s worth,
that I must surely follow,
and you are not alone.

Craig Spence

CraigSpenceWriter.ca

A Dream Within a Dream

A DREAM WITHIN A DREAM
By Edgar Allan Poe

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow —
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand —
How few! yet how they creep
Through my fingers to the deep,
While I weep — while I weep!
O God! Can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?

A wisp of a thing

Oh! How I wish the letters
Of the word
Would dissolve
Into the very thing

How I would delight
In that incandescence,
That essence emerging
In my bleary dawn,
Like souls coalescing
Out of nothingness…
Engendered by the welling sun,
And the risen mist,
And the stilled air that I breathe.

Oh! How I would sigh
And beg the pending breeze
To hold off—just a moment more
And not disturb this glowing dream…
This fantasy that must always be
Precursor to despair.

Craig Spence

Death is not an event; it’s a process

We tend to think of death as a sudden event—the moment we transition from life into… its opposite. In truth, death is a process we stave off every day by living. Which makes life an activity, not a state of being.

If I don’t hunt and eat, I die. If I don’t procreate, my future generations will never be. If I don’t mind my step, I will be killed by a car. Every day we must actively live, or we are likely to meet an untimely end. I must exercise and manage my diet, or my ability to live is compromised—and so it goes.

Death is part of the process of renewal. I, as an individual, make my contribution, then give way as new ideas and modes of living are born. Whole civilizations become artifacts and ultimately particles of dust in the inexhorable cycle of life. Worlds come into and pass out of being.

This perpetual struggle to survive is masked in the comfortable environments of the ‘developed world’. We don’t connect the need to work with the ongoing battle for survival. Ultimately, though, that robs our lives of meaning. We are here to give what we can, while we can.

Life is the convergence of energy, matter, and spirit in conscious, willing being. To me, the best possible life is devoted to bringing joy into the world—as much joy with as much grace as I can muster in my brief span.

ImagiNation

Creative writing takes us places we have never been, invents new worlds, converts ideas and memories into things experienced in the mind’s eye. That’s the first half of the creative cycle; reading is the second. It’s the intent of authors and poets to incite creativity in the minds and hearts of readers.

Creative interaction has always been a driving passion for writers, and—fortunately—we live in an era when that fundamental, almost instinctive urge can be channelled into new formats, reaching new ‘audiences’. We can engage our readers (and listeners) before, during, and after the writing and publication of our ‘books’.

Let me share a couple of examples.

I’m rewriting a story titled Entrapments, which I rediscovered after it had sat on my MS shelf for some years. Right now, I’m getting to know the characters. In the mix: an aging prostitute, a journalist, an art critic, an artist, a petty crook… and so on. I’ll be reaching out online for ‘enactors’—people who have lived those personas or are very familiar with them. I want these contacts to feel engaged in the creative process and to enjoy the experience.

My most recently released novel, The Mural Gazer, was the second I have posted online as a work in progress, inviting readers to join me page by page as the story unfolded. My first online novel, The Boy From Under, is also available online. Both can be purchased in print via my Amazon.com author’s page.

Again, the purpose of creating literature online is to engage readers and writers as early as possible and to invite questions and commentary as the story emerges. Other possibilities and benefits?

  • Links can be inserted into an online story as supplementary information and graphics.
  • An audio edition of the story can be made available in the same space as the print edition.
  • Feedback from readers can be welcomed and responded to.
  • Literature can be shared instantly, at a lower price, and with reduced environmental costs.
  • Other books on an author’s shelf can be linked seamlessly…

The potential for writers to meet readers via new digital technologies excites me. It’s daunting, too. But in an era when young people in particular are being drawn more and more into the online universe, authors have to establish a niche—let’s call it ImagiNation!