Stages of Anguish
This narrative emerged, writing about Harry Sanderson’s recollected state of mind as a ten-year-old, who had just suffered a deeply traumatic event, an assault on himself and the killing of his dog Gypsy. He blames himself for Gypsy’s agonizing fate, the dog protecting him from the predations of a violent itinerant, who had forced the two of them into the forest above the E&N Railroad line in Chemainus.
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The first person he told this truncated version of his story to was his mother, who consoled him as best she could, and tried to assure Harry that Gypsy might find his way home. After that, Harry would sublimate the tale of Gypsy’s disappearance into someone else’s story: His imaginary friend Art had been accosted in the woods above Chemainus, and heard his dog being killed. Then the imaginary Art moved away.
At this point The Mural Gazer will zero in on Harry’s need to confront the truth of what happened in that forest, now known as The Hermit’s Trail. In the time remaining he must expiate his guilt and sorrow by, at long-last, remembering and making his terrible confession, one he’d partially made to Charlie Abbott, the legendary hermit whose trail is part of Chemainus’s mind-scape.