Feet First in Love

Parts: One | Two | Three |Four

Part 1 – The forensics of love

Nice sandals!

I didn’t say it out loud, of course—not right away—and can’t determine to this day if the thought was true. I mean sincere in all its dimensions, down to the place where sole smacks concrete reality. But it was the best I could come up with on the spot, and even though I didn’t voice the sentiment, she heard me. That’s the trick I believe: Think things before speaking. Sometimes keep them as thoughts forever because you’re bashful, perhaps. Or maybe because the person you’re interested in is perfect and you could only detract from that by wheedle-wording your way into her affections.

I had instinctively done an up and down of the sandals’ occupant—that checkout scan we males of the species do when attracted by something potentially sexual in our peripheral vision. But it was her footwear—and I must confess, her feet—my roving eye locked onto. Her toes were painted pink!

Not gaudily, in that slapdash way you sometimes see and feel embarrassed about—usually for bubblegum teens. The polish had been applied with artistry. Details like that say something, don’t they? She had a conception of self that was bold and subtle, I figured.

So maybe I was indulging just a little. But it’s okay to try and fathom why someone’s special, isn’t it? And at first, we have to draw assumptions from observations as seemingly insignificant as pedicure, don’t we? You’re a liar if you say no. The forensics of love are based upon minute chips of evidence, hinting at theories made up as we go.

To me, the convex surfaces of her nails were intriguing as conch shells turned inside out. Can you imagine such a thing? My eyes stuck on the tops of her toes for a breath or two, then—without my thinking, without conscious intent—zoomed in on her sandals, recording every facet of those elegant slippers.

Even as my eyes went about their rogue’s work, though, part of me realized there was nothing so very remarkable about Gloria’s sandals… aside from the fact that she was in them. I can think of a thousand movie stars and a thousand more princesses who would have turned up their noses if asked to wriggle their dainty nether digits into such a pair of Walmart flip-flops. But on Gloria’s feet! Oh my!

Part 2 – The ‘Oh My’ of it
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“Oh my!” as grandmother would cry when occasion warranted. Of course, her delight was usually over events as homey as cherry pie coming out of the oven or particularly brilliant works of crayon art, not over anything so exotic as the footgear of a complete stranger. For grandmother, agape wasn’t so much about miracles as discovering the miraculous in everyday things—about seeing through the veil of ordinary and triggering suspirations as emphatic as a last gasp.

By the way, mentioning Gloria’s name right now makes everything from here on in non-sequitur. I didn’t know her name at this point in our story. True, I was cultivating an intimate relationship with the bone structure and musculature of her feet, the same way Toto might have got to know Dorothy before they ventured into Oz. But that’s not the same as knowing a body’s name, is it? Love works backwards. We fall into it, then double back, tracking down the meanings and consequences of ’til death do us part.

I’ve broken sequence because I can’t bear talking about Gloria as ‘her’ or ‘she’ without giving name to those theoretical references. I have christened her even though a name at that point would have been as naively symbolic as graffiti sprayed anonymously on whitewashed stucco, or rote declarations carved into the trunks of trees or the planks of park benches. At that point in our relationship, her name would have been a catch-all of fantasies. A concatenation of dark eyes, long black hair… an aura you could best see through eyes half-closed.

In truth, if Gloria had dematerialized before I got a chance to talk to her—whisked out of her sandals by powers unknown into some sci-fi Nirvana beyond the frequencies of daytime TV—nothing would have seemed remarkable about her footwear left on the corner of Quadra and Hillside. Other than the fact that the sandals were there, placed carefully on the cracked concrete as if the intersection were a portico into some alternative dimension and she had been called away suddenly. Barefoot.

Part 3 – Shoes neatly placed
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The thing about Gloria is she even stands with her shoes neatly placed, and she never just kicks her footgear off. She’s neat that way. Fastidious. It makes me laugh. And because of her, I place my work boots carefully on the mat inside the vestibule door too—toes pointing toward the wall, heels knocked together. She’s aware of details like that so it pains me to bring disorder into our lives, especially when it’s so easy to do things right.

There’s meaning to the precise placement of feet on a sidewalk. Someone needs to see that. Imagine yourself in the presence of a goddess. You’ve been schlepping your way through life down at the pit, a latter-day Sisyphus crunching stones into various grades of gravel, then suddenly she’s there, and you know she is a goddess, that she already knows everything she needs to. What do you say to her? What’s your conversation starter?

In a way, Gloria was aware of every rhinestone glued to those bargain basement sandals of hers. Not individually, of course, but as elements of a sensory field, if you will. I wondered which tiny mirror I might have been reflected in, standing beside her, my bike held between us like a barrier. What did she think of this guy? Of his long hair and never-quite-matured beard, his knobby tired bike? She hadn’t even glanced my way—a sensible rebuke. But I did want her to appreciate the nobility of my feelings… that if the sun could be positioned just so behind me, I too would glow with my own halo effect.

I glimpsed her profile, then surveyed the intersection for clues. Perhaps there were points of convergence, shards of data that proved we dwelt in overlapping dimensions. Which of the drab architectural features could I point to and say, There, that’s us. The San Remo Market Deli & Café? The Salvation Army Community & Family Centre, across Hillside? The Money Mart (real people fast cash) diagonally opposite? The Sally Ann thrift store on the west side of Quadra? The garbage receptacles and bike racks at every corner to dispose of stuff we no longer valued and lock up the things we did?

We were none of that, and perhaps—without knowing it—denial was the point of convergence I had in mind, the notion that we were something other… or could be.

Part 4 – Nice Sandals
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“Nice sandals!” I said.

No kidding! I said it out loud. Breathlessly. Disguised as a brash joke, because any second now the light on Quadra would wink green and the little silhouette that says walk would let her get away, and I couldn’t let that happen without at least a memory of me—strange and deformed as it might seem—hankering after her. Things had spiralled into a place where an inkling of madness is the only reasonable state of mind, not stark raving lunacy, but a sort of emotional Pi, never quite defined, always panicked by another increment of yearning.

If only we had it in us to feel that way about every living thing, we would truly be incarnations of our imagined gods.

The light changed. Gloria stepped off the sidewalk into the intersection. I walked beside her, thinking: This is it. It’s finished. She still hadn’t glanced at me. I studied her profile for signs. She wasn’t ready to offer any, and how could I blame her? But I took comfort in the fact that we were walking in the same direction, that the inaudible pat of her sandals on the pavement didn’t seem hurried or doubtful. She was willing to abide my company at least.

Gloria strode on like the dancer she is, back straight, black pantaloons fluttering in the breeze, pleated jacket conforming precisely to her slight, angular build. Did I imagine it, the faintest hint of a smile turning up her lips? I’m not sure, but the words rushed out of me anyway, when I saw what I took to be a cue, as if I’d been waiting to blurt my intentions for just-about-ever. “Maybe you won’t take it wrong if I walk with you a-ways?”

Creep! Is that what she was thinking? She stopped, looked straight at me, her head swivelling round like a security camera on a pole, eyes locking on. This is it, I thought for the umpteenth time. It’s finished.

Then she smiled and laughed out loud, and… Oh my God! Oh my!

Lucinda’s Lucid Moments

Manny, a youth who has been abused and betrayed, ends his life by overdosing in a squalid back alley. This reading is excerpted from his mother, Lucinda’s, journal. She did everything in her power to sheild him from the undermining, demeaning influences of their world. In this reading she recollects her own earliest memory of a man she would learn to fear, then hate, and utterly distrust—her father.

Bird of Paradise

The bird of paradise does not live
in lush green tropic forests,
doesn't stroke with flashing wings
a Caribbean sky.

But she might.

This species does not trill
her heartfelt, joyous anthems
from a leafy, palm-treed hillside
under a dazzling, foreign sun.

But she could.

This mystic creature you will find
in the shimmering, shushing fabric
in the irridescent patterns,
in the brilliant woven mists
of an imaginative mind...

Just waiting to be...
Freed.

For Diana








Joys of the Season

Dance, Feast, Laugh, Share
Hope, Dream, Sing, Dare…

Celebrate your dreams come true,
and the other selves that become you,
and the future self that must evolve,
because all is said, but all’s not solved.

Leap, Kick, Twist, Twirl,
Shout, Hoot, Whoop, Skirl…

Value life in all its stations,
in every form and permutation:
energy, matter, and spirit fused
in the conscious, willing, being you.

Marvel, Wonder, Seek, Explore,
Ponder, Question, Learn, Adore…

The everything we can define,
but never grasp in finite mind;
Our certainties forever framed—
Omniscience? It can’t be named.

Rally, Struggle, Persevere
Turn and face the things you fear
for they obscure what we hold dear…

Merry Christmas! And Happy New Year!

A Kik addict’s choice

Note: Beta edtions of Mural Gazer stories at MuralGazer.ca

…when he saw his mother’s purse, sitting on the kitchen counter that day of his downfall, he froze, a tightrope walker quavering, struggling to regain his balance. The moral math was simple: He craved his cola; his mother had deprived him of the sugary libations that made life oh so sweet; tit-for-tat, he would deprive her of enough grocery money to buy himself a pleasure-sustaining supply of Kik. Still, he wavered. Get a Kik out of life, his jingoistic nature crooned; get a kick in the arse with a pointy shoe, a fatherly voice from up on high threatened. He teetered on the edge for a moment, then…

Harry glanced through the window, out into the garden, where his mother was busy weeding and pruning. Opportunity had presented itself, the thirst was upon him, he could either take his chance or leave it, and not expect another any time soon.

Still, he resisted the gravity of his yearning, aghast. How could he even think something so dastardly, so cunning, as to steal from his own mother… As he excoriated, himself his body slipped into an altered state, beyond the pale of ordinary consciousness. He witnessed sadly, as if in a dream, his hand reach out, fingers scrabbling like spider’s legs, prying open her purse’s lips, rummaging its contents for her wallet. He pulled it out. His breathing quickened and eyes widened as he riffled through the week’s house money, a sheaf of bills neatly sorted into their coloured denominations…

Morning Glory

This video includes images of genocides
It’s the dawn
Of a new day
In an old era
In the same old way.

It’s the cycle renewed
Again and again without end
A ceaseless iteration
Of nation against nation
Of despair strangling hope
Shoots of hatred
Tendrils of fear
A choking underbrush
Infesting our gardens of Eden

Who was it said
We must kill, and kill, and kill
Until all are dead
Who would become invasive species?
Whose god roared that battle cry
Under the glaring sun
Denying even the possibility
of innocence
Declaring even the unborn
‘Enemies of our state’
Infected with murderous intent?
Vermin only fit to hate?

Bloodlines.
Worm like veins
Through our sacred soils
Rooting the detritus
That defines us.
Ancient scrolls
And chiseled texts
Implacable as tombstones.

Craig Spence,
August 18, 2024

Off Leash Zone

OFF LEASH ZONE

Lead on! Lead on!
my old, best friend,
beyond the very end
of this leash we both
are tethered to.

Lead on! Lead on!
Even though we do not know,
and dare not say,
exactly where we’re going…
Even though there is no point
within the compass of our ancient souls
to suggest one way or another—
no brilliant star, no station of the sun
for us to fix upon.
Whichever way we face,
that becomes the direction of our knowing.

And yet you pant, and strain,
and snuffle, and sniff,
as if there were some secret
(just around the bend
or crouching under some bush)
that makes sense of it all.

Lead on! Lead on!
Beyond the very edge
of this—our flattened earth—
and be assured, for what it’s worth,
that I must surely follow,
and you are not alone.

Craig Spence

CraigSpenceWriter.ca

A Dream Within a Dream

A DREAM WITHIN A DREAM
By Edgar Allan Poe

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow —
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand —
How few! yet how they creep
Through my fingers to the deep,
While I weep — while I weep!
O God! Can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?

A wisp of a thing

Oh! How I wish the letters
Of the word
Would dissolve
Into the very thing

How I would delight
In that incandescence,
That essence emerging
In my bleary dawn,
Like souls coalescing
Out of nothingness…
Engendered by the welling sun,
And the risen mist,
And the stilled air that I breathe.

Oh! How I would sigh
And beg the pending breeze
To hold off—just a moment more
And not disturb this glowing dream…
This fantasy that must always be
Precursor to despair.

Craig Spence

Every picture tells a story

Be Still and They Will Come by Diana Durrand inspired Craig Spence to write Waking Dream (see below). Photographs, paintings, sculptures—any art form—can resonate in the minds of writers.

If you are interested in a workshop that engages participants in responsive writing to shared images (photos & paintings), please contact me. More info below…


Every picture tells a story, which makes art a source of inspiration for writers. The same goes for music, dance, and every other art form out there, but the visual arts, especially, are a trove of ideas.

Open up a family photo album and memories are triggered by the images you see. That’s a source for writers whose chosen genre is memoire. But images from other collections can also inspire.

What if your mode is historical fiction? Take a walk around Chemainus and every wall comes to life in your imagination. You can feel yourself being drawn into the large-as-life scenes and back in time—hear sails luffing, wagons clattering, trains chuffing, the rhytmic stroke of paddlers in dugout canoes.

Is there an image that inspires you? Perhaps it’s not even a specific picture, but a sequence made up of many related images,  times, and places.

Craig Spence was inspired to write Waking Dream when he saw Diana Durrand’s mixed media piece Be Still and They Will Come, which has been displayed at the Cowichan Valley Performance Centre. Art galleries are great places to go in search of inspiration!

Stories or poems inspired by images aren’t descriptive exercises; they are works of art in their own right, which add a literary dimension to what you are experiencing.

Art, in the deepest sense of the word, is not meant to be ‘looked at’—or read, for that matter; it’s meant to be ‘invoved in’.  Looking at a painting, or reading a story, becomes an imaginative act-—it’s participatory. So stories and poems based on imagery are works of art in their own right.

Would you like to participate in a free workshop built around responsive writing to shared images? 

Waking Dream

They came to her
in a dream
on paws as soft
as evening light

They huddled in
the contoursof her restless soul
creatures of the land
between day and night

And she lay perfectly
still…
For an eternity…or so it seemed
Aware only of their being
and her delight

She dared not move
or even think…
of stirring…
for if she did
her moment…
she knew…
would take flight.

Craig Spence